Cindy Crawford, 1988, by Terence Donovan

Terence Donovan (1936-1996) came to prominence in the 1960s as part of the ‘swinging sixties’ with David Bailey and Brian Duffy and revolutionised the world of magazine and newspaper photography. Shooting mainly in black and white his informal, intelligent style set him apart. Photography was his life and he is considered one of this country’s greatest photographers.

Nassau, Bahamas, 1970, by Patrick Lichfield

Patrick Lichfield (1939-2005), unlike Donovan, came from a priviledged background as a cousin of the Queen. This never hindered his career and his work became synonymous with the life of the glamorous, rich and famous. He was contracted by Diana Vreeland, doyenne of fashion editors with American Vogue, giving him an opportunity to create some of the defining images of the Sixties and Seventies.

Cardin Hat Over Paris, Queen Magazine, 1960, by Norman Parkinson © Norman Parkinson Archive

Norman Parkinson (1913-1990) was the quintessential British gentleman photographer. He dazzled the world over seven decades with his sparkling inventiveness and has become one of the most famous and collectable British photographers. His long association with Vogue, and other numerous magazines, brought him worldwide recognition. His innovative style transformed the static, posed approach to fashion photography, while his enchanting, idiosyncratic persona charmed his sitters and projected an alluring and glamorous public image.

1st September 2009 until 10th October 2009

The Little Black Gallery, supported by Towergate Camerasure, is proud to announce its autumn show I WANT IT ALL, an exhibition of photographs of film stars, rock legends, cooks and queens.

All of the photographs were shot on film (digital was still waiting to be imagined when these images were created!) and the prints on view are of various types; silver gelatin (or “real” photographs as I like to call them), digital bromide and giclee. Most importantly of all, ALL of the images are for sale and present an opportunity to purchase something a bit special.

A full list of the images on show, including important information regarding print sizes, types, limited edition and price, is available to view or download on the Little Black Gallery website (in PDF format).

I’m still buzzing from my previous trip to the gallery to see Bob Carlos Clarke’s work so I’m certainly going to be heading to Chelsea again for this exhibition. Might even take my wife this time.

JIMI HENDRIX CLASSIC by GERED MANKOWITZ , 1967

The exhibition includes images of the following stars:

• The Beatles (Michael McCartney)
• Dean Martin (Terry O’Neill)
• David Bowie (Terry O’Neill)
• Marilyn Monroe (Bert Stern)
• James Dean (Richard Miller)
• Kate Moss (Tony McGee)
• HRH Queen Elizabeth II (Chris Levine)
• Marco Pierre White (Bob Carlos Clarke)
• Jimi Hendrix (Gered Mankowitz)
• Elvis Presley (Alfred Wertheimer)
• Billy Idol (Patrick McMullan)
• Keith Richards (Bob Carlos Clarke)
• Michael Jackson (Alan Davidson)
• The Rolling Stones (Willie Christie)
• Mick Jagger (Bob Carlos Clarke)
• Jean Shrimpton and Terence Stamp (Terry O’Neill)
• Mick and Bianca Jagger (Patrick Lichfield)
• Twiggy (Barry Lategan)

MICK JAGGER by BOB CARLOS CLARKE, 1971

The Bob Carlos Clarke Room will be displaying works by the legendary photographer, as usual.

For further information or images please contact Ghislain Pascal on 07778 788735 or email info@thelittleblackgallery.com

"Adult Females Attack Without Provocation"

Bob Carlos Clarke: Wall To Wall
8th May to 3rd July 2009

It’s a bit late in the day for me to be talking about this exhibition, I confess. I first learned of the existence of The Little Black Gallery, The Bob Carlos Clarke Foundation and this exhibition about two weeks ago, almost by accident. If I’m honest, I felt a little hurt and a little cheated that nobody had thought to tell me, what with me being Bob’s biggest fan. Then I sat down to write this article and realized the reality is that, in spite of my claim to be a huge, HUGE fan, I actually know very little about Bob Carlos Clarke.

I first became aware of his work back in the 80s when I opened a magazine and was knocked sideways by this magnificent full-page advert, which I believe was for Russell & Bromley. It was black and white, a rear view of two gorgeous models dressed completely inappropriately for the location (apparently a London street) and with their hands provocatively placed on each other’s backsides. I can’t swear that I have all the elements of this spot on (it was a long time ago!) but I can tell you this; I was completely blown away by the image. The photograph was supposed to be an advertisement, but what I saw was art, pure and simple. Shortly after this, Bob’s work was featured in a photography magazine article and I realized that I had seen quite a few of his images without knowing his name.

The magazine article promoted his new/forthcoming book, “The Dark Summer”, so I’m guessing this was around 1984/85. I headed into town (several towns, in fact) to see if I could buy a copy, without luck. Eventually, I found a book shop with one member of staff who had actually heard of Bob Carlos Clarke and I decided to order the book. Of all my photography-related books (I have about 60), “The Dark Summer” is still my favourite. No-one and nothing has excited me or inspired me (photographically speaking) like the creations of Bob Carlos Clarke.

“To qualify as a legend, get famous young, die tragically and dramatically and never underestimate the importance of your iconic photographs.”

Bob Carlos Clarke

His images have often been quite challenging for the viewer; my wife (who is very open-minded) recently gave me a copy of “Shooting Sex” for my birthday and her face was the very definition of “confusion” when she opened the book to browse. I like to think that Bob would like that. I remember reading that he was fed up with people telling him how great his photos were and he wanted to push the boundaries to see if people would ask him what the hell he was thinking!

“Bob Carlos Clarke: Wall to Wall” is the first retrospective of his work, three years after his death, featuring pictures from his 30 year career, including some which have never been seen or made available for sale before. The exhibition also coincides with the publication of the biography “Exposure: The Unusual Life and Violent Death of Bob Carlos Clarke” written by award winning writer Simon Garfield (Ebury Press, 14 May 2009).

Reading an extract from the book is one of the reasons I have not tried to fill this article with “facts” – most of what I thought I knew, I don’t. And what I have learnt over the last few weeks can best be told by those who really know.

Held at The Little Black Gallery and put on in association with The Bob Carlos Clarke Foundation, the exhibition runs until the 3rd July 2009 (like I said, a bit late for me to be covering it!). If you can get there, do. If not, I’m making it my personal goal to bring news of the gallery’s future exhibitions to the attention of as many people as possible, so be warned!

During my first contact with Ghislain Pascal, Bob’s long-term agent and friend, I have to admit to a small amount of fawning and sycophancy. I couldn’t help it, but I feel a bit embarrassed now; I mean, I’m not exactly a star-struck teenager (I wasn’t exactly a teenager in 1985 either, for that matter!). But we got past that, I’ve pulled myself together and we managed to have a proper chat.

“I first met Bob in 1996 when he photographed one of my clients, Tamara Beckwith, on the roof of Whiteleys shopping centre for an editorial shoot.  I became friends with him and Lindsey and have been ever since.

Tamara and Bob and Lindsey had been friends for years… in fact ever since Tamara was about 17/18 when Bob was the only photographer that all the London girls wanted to be photographed by!  At the time of Bob’s death they were neighbours on the same street in Chelsea.

We remained friends for years and he photographed all of my clients, as I owned a celebrity management company.  Bob naturally became our photographer of choice for all shoots!  Then years later Bob and I set up a picture agency together (Panic Pictures) to syndicate all his images.  I then became his agent.

Lindsey and Bob had talked about owning a gallery for years.  After Bob’s death, Lindsey and I got fed up with dealing with other galleries and dealers around the world to sell Bob’s work and decided to open our own gallery.

The primary aim of the foundation is to promote the work of Bob.  But the secondary aim is to support young photographers through an annual photographic competition with the winning entries being exhibited in the gallery.  Once the gallery is more established we will do this.”

I struggled, searching for a good title for this article. I wanted to get across just how big an influence Bob has been on me. So why only “possibly my ultimate photographic hero”? Because something tells me Bob Carlos Clarke would have thought me a complete tosser for saying it.

I’d like to thank Ghislain for taking the time to answer my questions and for granting permission to show Bob’s pictures on TDM.

The Little Black Gallery

The Little Black Gallery was opened in November 2008 by Lindsey Carlos Clarke, Ghislain Pascal and Tamara Beckwith and has had several critically acclaimed exhibitions. These shows have exhibited a diverse range of photographers including both well known and up and coming photographers. The gallery also has a “Bob Carlos Clarke” room holding a rotating exhibition of the legend’s work.

The Bob Carlos Clarke Foundation

The Bob Carlos Clarke Foundation was set up following Bob’s death in 2006 by his wife Lindsey, daughter Scarlett, and agent Ghislain Pascal. Its primary objective is to promote the work and memory of Bob Carlos Clarke. One of its other aims is to support young photographers by holding an annual photographic competition in association with The Little Black Gallery. All profits from this catalogue will be donated to The Bob Carlos Clarke Foundation.