Archive for September, 2007

Back to School – An Introduction

Friday, September 14th, 2007

Back to School

Iâ??ve been a semi-professional photographer for some time now and without blowing my own trumpet too much, I think I could be described as a decent photographer who occasionally achieves exceptional results. Without being too self deprecating, I believe the occasionally exceptional results have come about more through luck than judgement. This is something I would like to change.
Generally speaking I would have to say that the development of my photographic skills has been pretty steady. I have seen improvement from one shoot to the next and every now and again I have had a Eureka moment where my skills seem to take a massive leap upwards. Recently however this development seems to have stopped. My photography skills seem to have reached a plateau. Iâ??ve reached a certain level of attainment that I just canâ??t seem to improve upon. This isnâ??t to say Iâ??ve mastered the art, far from it. Itâ??s just that Iâ??ve reached a level that I donâ??t think I can improve upon without some help.

I think this has come about because Iâ??m self taught. Iâ??ve learnt through experimentation, reading books and magazines, researching on the internet and seeking advice from other photographers. At no point have I had any structured tuition. Itâ??s true that many photographers have learnt this way and theyâ??re doing just fine but I think that somehow Iâ??ve just managed to miss out some of the essentials. I feel Iâ??m lacking a solid foundation in the basic principals of photography and itâ??s this that has caused a stunting of my development.

Iâ??ve decided to do something about it. Iâ??ve signed up to do an AS level in photography at the local college. With a bit of luck I hope this will fill in the gaps and get me back on track again.

Iâ??m going to attempt to chronicle each of my lessons / lectures (I wonder what they call them nowadays?) here on The Decisive Moment. Hopefully theyâ??ll be good reading.

Have any of you experienced reaching a plateau? If so how did you get yourself going again?

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What The Duck?

Thursday, September 13th, 2007

What the Duck comic strip

If you don’t already know, there is an excellent comic strip just for us photographers. It’s called “What the Duck” by Aaron Johnson and I read it every day. Occasionally some of the humour requires a little bit more knowledge of the USA than I have, but generally it raises a smile at the start of each working day.

Go visit the WTD site and subscribe to the RSS feed and brighten your day a little.

What the Duck comic strip

What the Duck comic strip

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Mirror, Mirror, On The Wall…

Tuesday, September 11th, 2007

Mirror, mirror, on the wall... Copyright: Alex Bramwell

…that doesn’t look like me at all!

Most people (in my world, at least) don’t seem to like having their picture taken. There is often a real sense of embarrassment when you show them the photos for the first time and many sitters will remark that the pictures do not look like them, even though you are really pleased with the result.

The reason for this is very simple. We are used to seeing our own face everyday, but in reverse. What we think we look like is largely based on the image we see in the mirror.

In the “olden days”, when I sensed my subject was having this issue when I showed the prints, or even the Polaroid proof during the shoot, I would simply get a mirror and make them look at the picture reflected. This always solved the problem.

If there was a picture from the final set that I particularly liked and wanted to get a good reaction from, I would print an additional copy after reversing the negative in the enlarger. This mirrored image is the one I would show the sitter first and it never failed.

Of course, now we have digital photography, reversing the image couldn’t be simpler, so give it a try.

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5 Tips for Stress-Free Wedding Photography

Monday, September 10th, 2007

Wedding Rings

Last week Gaz wrote a smashing article about wedding photography. This got me thinking about when I first started photographing weddings and the difficulties I had (and sometimes still have). It turns out that the things that make Gaz hesitant are the very same things that have made me into a decent wedding photographer.

At this point I probably aught to admit that the title of this post is a little misleading. I don’t really think you can remove the stress from wedding photography completely. For that matter I don’t think you can for any paid for photography. At the end of the day your fee and (more importantly) your reputation depend on the quality of the photos you produce. I do believe however that you can significantly reduce the stress involved and that any competent photographer can successfully photograph a wedding providing they are prepared and stay relaxed.

So without further ado here are my top 5 tips for almost stress-free wedding photography:

Tip 1: Remove the worry of kit failure before the wedding

This is every photographerâ??s worst nightmare. You go to take a shot and your kit fails. Even a dead battery can seem like the end of the world when youâ??re depending on it. A few days before the wedding check that all your kit is working properly. Make sure that you leave enough time to get to a photography shop just in case. The night before give it all one more check making sure you donâ??t have any weird creative settings active and that any batteries you need are fully charged. Pack spare batteries in your camera case and if youâ??re using memory cards make sure they are formatted and ready to go.

Tip 2: Make a list of the â??must haveâ?ť shots

Make sure you sit down with the bride and groom well before the wedding and make a list of the shots they want. If you can, write them down in the order you plan to take them. This will save you a lot of umming and ahhing on the day. Itâ??s easy to forget / not think about doing this if itâ??s your first time and youâ??re doing a friend a favour but trust me this preparation massively reduces the stress on the day. If you can commit the list to memory do but make sure you have a copy with you on the day.

Tip 3: Remember youâ??re in charge

At the end of the day you are there to do a job and it is down to you to make sure that each of the photos on your list gets taken. Youâ??ll be surprised how willing the guests are to follow your direction just so long as youâ??re firm and direct. If there is a lot of chatter donâ??t be afraid to raise your voice to be heard. As long as youâ??re polite youâ??ll find the guests will be very responsive.

Tip 4: Donâ??t take too many shots

The pressure can become a little overwhelming sometimes and it is very easy to fall into the old trap of clicking away to make sure you get the shot. Trust in your ability and, if youâ??re using digital, review as you go. As soon as you have the shot move on. The last thing you need when you get home is 10 slightly different versions of the every photo.

Tip 5: Take a deep breath

This sounds silly but you wouldnâ??t believe how helpful it is. I donâ??t think it matters how many weddings you photograph there is always that flutter inside when you step up to take the first few photos of the day. Take a deep breath, let it out slowly and youâ??ll be amazed at how much more steady youâ??ll feel.

Final Thought

A wedding is a happy occasion and the happy couple have put their trust in you to take their photos. They wouldnâ??t have if they didnâ??t believe you were up to the job so remember to believe in yourself. You are a good photographer and all youâ??re doing is taking pictures of people enjoying themselves. For that matter you should enjoy yourself too. Youâ??re doing something you love for people who are probably paying you to do it. Does it get any better than that? If you relax and have fun youâ??ll see it in the pictures afterwards. The best photos are usually the ones where the photographer is smiling.

If you have any tips and tricks that youâ??d like to share let us know.

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Wedding Photography – The Final Frontier?

Friday, September 7th, 2007

The Wedding Photographer

One of my work colleagues asked me about my photography recently – what I do, how long I’ve been doing it, what subjects I like (or don’t like) and so on. The answers run something like this: mostly I photograph people, I’ve been doing it for almost 30 years and I love it all. Except wedding photography.

Actually, that’s a lie. I am fascinated, intrigued and almost obsessed by the subject. So, why in 30 years have I photographed precisely zero weddings? Because even the mere thought of it terrifies me, that’s why. I have been asked to do it a number of times and have always run a mile. Originally the issue was a mixture of my lack of confidence with ordering groups of strangers about, combined with the fear of processing the film to find I didn’t have the shots.

But these days I am older and have had to take control of many people in front of my camera and surely digital has completely removed the question of not getting the shot? I know I can take good portraits of people on a one-to-one basis – I’m paid to do it on a regular basis. What makes the wedding scenario different? Well, for one thing, with the obvious exception of the bride, the photographer may just be the most closely watched person attending. For another, the wedding day is unrepeatable; screw up and there is no second chance.

Mainly, I think my issue is with expectation. When I’m shooting portraits I’m trying to capture the subject the way they (or the person paying the bill) sees themselves. With a wedding the expectation is much higher. The bride doesn’t want photos where she looks the way her friends and family sees her, she wants to look like she has never looked before. You are capturing the fairy tale and failure is inconceivable.

Does this mean I have doubts about my abilities? Maybe I do.

Perhaps it is time to face the demons and take up this final challenge. Or maybe I need therapy to deal with my issues!

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Inspiration – Can It Be Self-Induced?

Thursday, September 6th, 2007

Uninspired: Copyright Georgios M. W. Denmark

I sat down at my PC last night to write the next article for The Decisive Moment. Nothing happened. I stared at the monitor for a while, looked through my notes, made coffee, picked up a book, browsed my image folders; nothing.

So today I am having to play catch-up and not only do I not feel inspired, but now I feel pressure to feel inspired. I find myself wondering what is inspiration and where does it come from? According to the Oxford English Dictionary, inspiration is “a supposed creative force or influence on poets, artists, musicians, etc., stimulating the production of works of art”. Okay, well it’s definitely inspiration I lack today (although calling these articles “works of art” might be pushing it a bit!).

The same thing happens with my photography, too. I know what it feels like to find yourself inspired and it is wonderful when inspiration occurs while you have the time and opportunity to take advantage. Sometimes you just look at something, pick your camera up and you are off. What I want to know is how to induce inspiration when I’m not feeling it. Is there a technique I can learn?

I’d really like to know what other people do. Where do they look for inspiration? Does it just come to them?

Perhaps we can get some feedback and suggestions and come back to this topic another day? Inspiration permitting, obviously.

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When Is It No Longer Photography?

Wednesday, September 5th, 2007

Progression of Photography

When digital photography first came along there was a raging debate about whether or not we should even consider it to be photography. I’m talking about a time before the digital camera – digital photography was about scanning your negatives or transparencies into one of those new Mac things and manipulating the image with Photoshop (or similar).

Initially, I have to admit that I considered the use of computers and software to be seriously cheating. How could it be real photography when you were clicking a few buttons and making complex changes in seconds that would have taken me all weekend in the darkroom? For a while I actually got quite angry about it. After all, I had spent years (not to mention a small fortune on materials) experimenting and documenting and practising to get the standard of negative and print I was achieving.

Then one day I settled down to read the latest edition of the Royal Photographic Society Journal, which had been documenting the course of the digital argument for some time. They had an article by a highly respected professor who was going to clear the matter up for once and for all. Fantastic!

I had assumed he would be firmly in the “digital is for talentless people” camp, but I was wrong. He kept it all very simple and very clear. Follow the history of photography and every innovation is effectively cheating on the technology previously in use. The camera obscura allowed painters to cheat. Plates and film allowed the artist to put down the pencils and brushes altogether. Later we had TTL exposure meters and auto-focus. It’s all cheating. Isn’t it?

The professor’s closing statement was so true: the tools are not what makes a photograph – it is the ability of the photographer to create a picture out of whatever tools he chooses to use. At the end of the process there is a good picture or a bad picture.

And there it is – good pictures and bad pictures. Simple.

So, is there a point where it stops being photography, or just a point where it stops being good photography?

I only wish I could remember the professor’s name.

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Online Photo Libraries – Am I Their Cheap Whore?

Tuesday, September 4th, 2007

Online Libraries - Am I Selling Myself

We were discussing online photo libraries and the impact they have had on photography and photographers. Back when I were a lad, stock photography meant supplying thousands of transparencies to a library who would produce and distribute expensive catalogues to design studios and the like, at enormous expense.

The commission for each picture sold was quite respectable though.

The online library makes it all much simpler, of course. Simpler to get accepted into a library, simpler to get your pictures seen, simpler to buy images and simpler to calculate your wedge. However, the online library has also lead to a dilution of the quality of images for sale. Worst of all, it has lead to paltry, pathetic commissions for the photographer and I think it is a great pity that we have allowed this to happen. Unfortunately the same system which has made it possible for anyone to sell their beautiful images to a global audience has also made it possible for anyone to sell their crap images and the standard is continuing to drop!

I realize it is unfair to blame the libraries entirely – they are (kind of) the victims here, too. They have been forced to drive the prices down to compete with other libraries who are forced to drive their prices down and so on. Selling your art for a few pence and relying on thousands of people wanting to use the same image seems a bit lacking in self-respect to me. And yet I too have signed up with a number of online libraries.

What we need is some innovation. Someone needs to think of a way to sell images online at a sensible price with a fair commission. Then they need to find the balls to actually go out there and do it!

Maybe we should do it? Then I can be the Madam of a high class establishment instead of a cheap whore.

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Where’s the Silver Lining in the Cloudy, Stagnant Pool?

Saturday, September 1st, 2007

The Cascade, Virginia Water, Windsor Great Park

For the last few weeks I have been promising to take my eldest son (George, aged five) to Virginia Water on the edge of Windsor Great Park to photograph the waterfall. We were planning to arrive there in time for the sunrise so, as you might expect, the evening before was spent making sure batteries for both our cameras were fully charged and that all kit was laid out ready to go.

The getting up and getting there went off without a hitch. However, as we prepared to take the initial test shots, George reported battery failure. “No problem, I brought plenty of spares” I reassured him. I took the freshly charged batteries from my bag and replaced the duds in his camera. He switched on and… nothing. Three more sets of freshly charged cells later and… still nothing. (I’ll be ranting about this another time.)

Okay, so the sun is creeping up over the trees and we don’t have time to go to buy some more, so we agree to share my camera. One memory card each, taking it in turns to compose the shot, George operating the shutter release.

The “silver lining”? George gets to use Daddy’s “big camera” and the experience was a little more shared than it might have been.

We move down to the edge of the stream and perch carefully on a large flat boulder to get some low shots. We are a bit too close to get everything in, so we need a lens change. This is the point where it turns out the batteries in my brain are also going flat! I flip the camera onto its back and undo the lens. Then, as I reach down to pick up the replacement lens, I catch the tripod and catapult the lens out of the mount. I watch it falling (in slow motion, of course) towards the boulder we are stood on, anticipating the smash as lens and rock make contact. But it doesn’t break. No, it bounces and continues its slow-mo trajectory towards the stream!

As I jump into the stream (anyone who knows me will realize this is a shameful exaggeration!) I expect to struggle to locate the lens, assuming it would have sunk immediately. Instead, it was bobbing on the surface, making its way towards the faster flowing section. I was quite surprised that it floated, although this was short lived. A rapid series of bubbles escaped from the lens and it sank like a stone.

I have dried the lens out, but I have no doubt it is ruined. There are water stains on the internal glass surfaces, there are bits of mud visible between lens groups and I can’t begin to describe the sound when I turn the focussing ring!

The “silver lining”? It was a cheap lens (about ÂŁ75) purchased as a fill-in while I save up the ÂŁ900 for the one I really want. Throwing away ÂŁ75 still hurts, but imagine doing that with a ÂŁ900 lens you spent a year saving up for! Also, we did have a great time and we will always be able to look back and laugh about that time Dad threw his lens in the river and dived in after it (I’m sure I’ll be embellishing it even more over time!).

If you try hard enough, you can always find a positive among the negatives.

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